Maybe it’s better for some that way, given how dated a sliver of The Black Album sounds, and how charismatic Jay’s voice is on its own. There were no surprise, Shai-esque hits in these collections, but it’s not hard to find at least one reason to experience Jay-Z a capella. Before he was staring 50 and extolling the virtues of being vulnerable, “Breathing’s a privilege” came with a palpable chill.Īmerican Gangster and The Black Album a cappella Unplugged’s bonus cut is the weary “People Talkin,” a creeping coda filled with Jay-Z’s most vivid threats. It’s back to war at the end of the album, though. Jay’s unforced personability - he jokingly calls out audience members for singing the “Hard Knock Life” hook at the wrong cue - ties the set together. That warmth swings throughout Jay and the Roots’ Unplugged performance, where the even Hov’s coldest records puff with effervescence. Instead of a soldier, Questlove found in his collaborator a mensch who was a Simpsons fan. His battle for New York supremacy against Nas required him to be egotistical and cocksure. The optics of a proudly alternative band like the Roots collaborating with a shiny suit-era survivor like Jay-Z was already weird without it happening in 2001, when Hov was knee-deep in feuds. The bonus tracks have gems, too: Anti-war, “black Brad Pitt” meets bhangra on the remix to Panjabi MC’s “Beware of the Boys,” and atop the Neptunes’ doomsday bounce on “La-La-La (Excuse Me Miss Again),” Jay-Z defiantly references the stabbing of Lance “Un” Rivera (“I’ll never make the news again, my man’ll shoot ya”) and makes a rude threat at then-Suns star Stephon Marbury’s expense. Even more tragically, The Blueprint 2’s misses do overshadow some of the finest work of Jay-Z’s career the father-son tragedy of “Meet the Parents” should never be as much of a deep cut as it is. The re-release couldn’t do much to salvage the pandering Biggie references and the haphazard rock fusions. But cutting fat can only do so much with an album that was mainly fat. If the sequel’s fatal flaw was its bloat, 2.1 - a condensed version with new bonus cuts - should’ve been the obvious corrective. Years later, Young Guru would refer to what became The Blueprint 2 as a “mistake.” If Jay wanted to be held in the same regard, the logic said he needed that overlong masterwork in his discography. And at the very least, Collision Course aged far better than Jay-Z’s other big name team-up.Īs the story goes, Jay-Z’s longtime engineer Young Guru talked Hov into doing a double album because the format was the linchpin to 2Pac and Biggie’s legacies. The set topped the Billboard 200, and while hip-hop purists wept to “Encore,” it was “Numb/Encore” that dominated MTV video blocks. Its main issue here is just as obvious: Most of the songs are already near-perfect on their own “Izzo (H.O.V.A.)” does not sound better with “In the End” or vice versa.īut Collision Course objectively worked on a commercial level. The obvious example is Collision Course, a mash-up mini-album that saw an artist leaving the game on top teaming up with a nu-metal group already starting to near the end of their prime. interpolation from Murmur might’ve been more interesting). Carter Collection - which is still on DatPiff - take a look at the projects outside the big 13 that’s landed on Spotify below.Įxempting “99 Problems,” a majority of JAY-Z’s dalliances with rock are underlined by awkwardness, whether from silly public perception (Is it that surprising he likes Grizzly Bear?) or his own clumsiness (an R.E.M. What about that time he linked up with the Roots? Or that other time he toured seven cities in a day when he just came out of retirement? But even Jay-Z’s own listing, like most others, didn’t include the non-studio album projects. While understandable, there’s also always been an excuse to have these sorts of debates, whether it’s a birthday, an album’s 12th anniversary, or if Hov himself offered a ranking of his own work. The re-introduction of Hov’s has reignited debates over the ranking of Jay-Z’s discography, which album is his most underrated, and if much-maligned ’97 sophomore LP Vol. Jay-Z's Catalog Returns to Spotify on His 50th Birthday
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